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Backline for band5/29/2023 It also helps avoid disruptions during performance and disagreements before, during and after the show due to unmet expectations. This could result in a stage set up where only one lead guitarist is accommodated for, and this may ruin the performance you rehearsed so hard for.Īn artist rider is meant to communicate to the event organisers what the artists need on and off stage to bring out the best performance.Ī good rider can foresee what the artist requires at every step of the journey (whether it is a tour or a one-off performance) and offer a proposed solution. It may not be obvious to the event organisers when listening to your songs. Say, you have been invited to perform at a gig where they have never seen you play, and you have two lead guitarists in your band. They are there to make the event/tour go as smoothly as possible by pre-empting all of the things needed to make it a success. In fact, they are meant to do quite the opposite. Also carry spares for everything.Contrary to popular belief, artist/ tour riders are not meant to make promoters’ lives difficult with lavish, out-of-this-world demands. If I am sending a tech I will generally send a bunch of snares and cymbals in case drummers didn't bring theirs. Bring a lot of extra cymbal stands and clamps to cover any circumstance. The way most festivals will work is there will be a shared kit and I always send four toms. Technicians run $350 - $500 per day depending on experience. Add to that cartage fees which could be $50 -$100 each way if local. They get a little dinged up but are still in excellent shape and are very well maintained at all times.Ī typical rental rates for 4-7 days would be about $450 for a kit, cymbals and new batter heads. I provide top of the line kits: my DW Collectors and Yamaha MCA getting the most action. Plan on gear getting used hard as most drummers have very little consideration for a rental kit. My first suggestion: unless a client requests a vintage drum kit, don't provide one. I own a Backline rental company and do provide those services. It is from this stage set-up that modern monitoring techniques, as well as the concepts of frontline and backline, developed. This changed after the late 1960's, when the band's instrumentation was set behind the PA to create the modern audio stage set-up. In rock music's early days, the PA and the band's amplification were all set in a line, which conceptually grouped PA and instrument amplification together. PA equipment, which is generally placed in the "frontline" so as to reduce problems of acoustic feedback, is not part of the backline. Backline techs who travel with touring acts are also known as roadies. Many travelling musicians prefer not to carry their own backline across borders and continents for fear of damage or customs hassles, which makes renting backline equipment while on tour an attractive option.īackline technicians look after, set up and maintain the backline equipment. "What is the backline at O'Malley's Pub? The band wants to know if they need to bring their own drums or amps.")īackline equipment can be rented for touring or studio use. It is often used in this sense to talk generally about the equipment available to or needed by musicians. In the US, backline has expanded in recent years to include the instruments that the musicians play, from guitars and bass guitars, to keyboards and organs, to drum kits and various percussion instruments. The term backline used to refer just to audio amplification equipment that stands behind the band on stage, including amplifiers for guitars, bass guitars and keyboards.
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